Wireless Microphones Reciever System
$449.95
General Description
With its improved design and new features, this rugged G3 rack receiver is ready for the road with its proven transmission reliability and inspiring flexibility. The sound check mode allows you to check the audio and RF signal at any time during setup. 20 frequency banks with 12 preset frequencies each, plus a user-programmable bank mean you can easily run multiple channels of G3 wireless simultaneously.
Features
- Sturdy metal housing
- 42 MHz bandwidth: 1680 tunable UHF frequencies for interference-free reception
- Enhanced frequency bank system with up to 12 compatible frequencies
- High-quality true diversity reception
- Pilot tone squelch for eliminating RF interference when transmitter is turned off
- Automatic frequency scan feature searches for available frequencies
- Enhanced AF frequency range
- Wireless synchronization of transmitters via infrared interface
- User-friendly menu operation with more control options
- Illuminated graphic display
- Auto-Lock function avoids accidental changing of settings
- HDX compander for crystal-clear sound
- Receiver features transmitter battery indicatation in 4 steps
- Integrated Equalizer, Soundcheck mode and guitar tuner
- Wide range of accessories adapts the system to any requirement
Delivery Includes
- EM 100 G3 rack-mount receiver
- NT 2 power supply unit
- 2 antennas
- 2 stacking elements
- 2 AA batteries
- Operating instructions
CONSUMER ALERT
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC’s wireless microphone website at
www.fcc.gov/cgb/wirelessmicrophones.
Wireless Microphones Reciever System
$449.95
Technical Data
| RF frequency range |
516 - 865 MHz |
| Transmission/receiving frequencies |
1,680 |
| Presets |
12 |
| Switching bandwidth |
42 MHz |
| Peak deviation |
± 48 kHz |
| Compander |
HDX |
| Frequency response (microphone) |
25 - 18,000 Hz |
| Signal-to-noise-ratio |
> 110 dB(A) |
| Total harmonic distortion (THD) |
< 0.9% |
| In compliance with |
ETS 300422, ETS 300445, CE, FCC |
| Antenna connector |
2 BNC, 50 Ω |
| XLR connector |
XLR / 6.3 mm |
| Audio output level (balanced) |
XLR: +18 dBu max |
| Audio output level (unbalanced) |
Jack: +12 dBu max |
| Dimensions (receiver) |
8.3 x 8 x 1.7 in. (212 x 202 x 43 mm) |
| Weight (receiver) |
2 lbs. (900 g) |
Wireless Microphones Reciever System
$449.95
Recommended Accessories
| Part/Accessory |
Article No. |
| AC 3 / NT |
USAC3/NT |
Active antenna combiner with DC power distribution for IEM transmitters, includes required NT3-1-US power supply and four 20" BNC cables
|
| ASA 1 / NT |
USASA1/NT |
Active antenna splitter with DC power distribution for G3 receivers, includes required NT1-1 US power supply and eight 20" BNC cables
|
| EW MIC BAG |
USEWMICBAG |
evolution wireless bag holds (1) EM, (1) SK and (1) SKM
|
| NT 2-3-US |
503870 |
Power supply for G3 EM rackmount receivers and transmitters
|
Wireless Microphones Reciever System
$449.95
Variants
| EM 100 G3-B |
|
Model #503518 |
$449.95 |
| EM 100 G3 - Frequency range 626...668 MHz |
| EM 100 G3-G |
|
Model #503515 |
$449.95 |
| EM 100 G3 - Frequency range 566...608 MHz |
| EM 100 G3-A |
|
Model #503512 |
$449.95 |
| EM 100 G3 - Frequency range 516...558 MHz |
$449.95
Glossary
| Audio output level (balanced) |
| Logarithmic value of the audio output voltage based on a standard reference value. A balanced circuit or connection uses separate signal lines for sending a signal, returning the signal and ground (3-pole connection). |
| Audio output level (unbalanced) |
| Logarithmic value of the audio output voltage based on a standard reference value. An unbalanced circuit or connection uses the ground connection (or screening) to return the signal (2-pole connection). |
| Compander |
| Also known as noise reduction system. A system which improves the signal-to-noise ratio by compressing the dynamics on the transmitter side using a compressor, and subsequently restores the normal dynamics on the receiver side using an expander. |
| Frequency response (microphone) |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| In compliance with |
| Gives the guidelines and requirements which have to be met before a unit can be put onto the market. Such guidelines are published by e.g. standards committees, telecommunications authorities etc. |
| Peak deviation |
| Maximum permissible deviation for FM. |
| RF frequency range |
| The range of frequencies to which a unit (e.g. a receiver) can be tuned. |
| Switching bandwidth |
| The frequency band in which frequencies can be switched directly. |
| Total harmonic distortion (THD) |
| Total harmonic distortion is a measure of non-linear harmonic distortion and is given in %. Non-linear harmonic distortions are signals which were not present in the original before the signal was converted by the headphones. These unwanted signals are caused by the diaphragm, whose movements do not precisely move in time with the electric signals that cause it to move. Unfortunately, this is a feature of all electroacoustic transducers. Although it cannot be completely eliminated, suitable steps can be taken to minimise it. However, the user is not interested in why this distortion takes place but in how great the level of distortion must be for it to become perceptible. According to the findings of several research projects, a total harmonic distortion of 1% in the frequency range of 100 to 2000 Hz is imperceptible. Below 100 Hz, the perceptibility threshold lies at 10%. |
| XLR connector |
| Most common form of connector in audio studio technology. |
