wireless Instrument transmitter set, vocal, music
General Description
Bodypack transmitter with CI1 instrument cable and rack-mountable receiver
Features
- Autoscan on all receivers for simple and secure frequency selection
- 1440 frequencies within a 36MHz switching bandwidth for greater tuning flexibility
- Robust metal construction for durability
- Smaller bodypack transmitters and receivers(30% smaller than current EW)
- Pilot tone squelch(defeatable for backwards compatibility with original EW systems)
- New battery concept(AA cells and rechargeable battery accessories)
- Transmitter battery status telemetry on all models
- Audio signal metering on transmitter LCD display
- External charging contacts on 300 and 500 series bodypacks
- XLR jacks on all rack-mountable units(including 100 series)
- Click here for our limited-time Trade-In Rebate Offer!
Delivery Includes
- SK 100 G2 bodypack transmitter
- CI 1 instrument cable
- NT 2-1 power supply unit
- 2 telescopic antennas
- 2 AA batteries
- EM 100 G2 rack-mount receiver
- Operating instructions
CONSUMER ALERT
Most users do not need a license to operate this wireless microphone system. Nevertheless, operating this microphone system without a license is subject to certain restrictions: the system may not cause harmful interference; it must operate at a low power level (not in excess of 50 milliwatts); and it has no protection from interference received from any other device. Purchasers should also be aware that the FCC is currently evaluating use of wireless microphone systems, and these rules are subject to change. For more information, call the FCC at 1-888-CALL-FCC (TTY: 1-888-TELL-FCC) or visit the FCC’s wireless microphone website at
www.fcc.gov/cgb/wirelessmicrophones.
wireless Instrument transmitter set, vocal, music
Technical Data
| Antenna connector |
2 BNC, 50 Ω |
| Audio output level (balanced) |
XLR +18 dBu max |
| Audio output level (unbalanced) |
Jack |
| XLR connector |
6.3 mm |
| Compander |
HDX |
| Dimensions (receiver) |
8.3 x 5.7 x 1.5 in. (212 x 145 x 38 mm) |
| Dimensions (Transmitter) |
3.2 x 2.5 x 1 in. (82 x 64 x 24 mm) |
| Frequency response (microphone) |
40 - 18,000 Hz |
| In compliance with |
ETS 300422 , ETS 300445 , CE , FCC |
| Input voltage range |
1.8 V mic, 2.4 V line |
| Operating time (transmitter) |
> 8 h. |
| Peak deviation |
± 48 kHz |
| Power supply |
10.5 - 16 V DC 2 x 1.5 V battery AA (Mignon) |
| Presets |
4 |
| RF frequency range |
518 - 866 MHz |
| RF output power |
30 mW |
| Signal-to-noise-ratio |
> 110 dB(A) |
| Switching bandwidth |
36 MHz |
| Total harmonic distortion (THD) |
< 0.9 % |
| Transmission/receiving frequencies |
1,440 |
| Weight (receiver) |
2.4 lbs. (1,100 g) |
| Weight (transmitter) |
5.6 oz. (158 g) |
wireless Instrument transmitter set, vocal, music
Recommended Accessories
| Part/Accessory |
Article No. |
| A 1031-U |
004645 |
Wideband passive omnidirectional UHF antenna (each sold individually)
|
| A 2003-UHF |
003658 |
Antenna, 430-960MHz, passive, directional, +3dB gain
|
| ASP 2 / NT 1 |
USASP2/NT1 |
Passive antenna RF splitter and DC distribution with NT1-120 power supply
|
| CC 2 |
009826 |
Carrying case for evolution wireless G2 1/3/500 Series, hard-shell polymer, foam lined
|
| CI-1 |
005021 |
Standard instrument cable for evolution wireless bodypack transmitters
|
| CI-1-R |
USCI1-R |
Right angle instrument cable for evolution wireless bodypack transmitters
|
| GA 2 |
009823 |
Rack mount kit for mounting one or two evolution wireless G2 devices. (not compatable with G1 units).
|
| NTEW-120 |
087246 |
120V power supply for the evolution wireless series
|
wireless Instrument transmitter set, vocal, music
Variants
Glossary
| Audio output level (balanced) |
| Logarithmic value of the audio output voltage based on a standard reference value. A balanced circuit or connection uses separate signal lines for sending a signal, returning the signal and ground (3-pole connection). |
| Audio output level (unbalanced) |
| Logarithmic value of the audio output voltage based on a standard reference value. An unbalanced circuit or connection uses the ground connection (or screening) to return the signal (2-pole connection). |
| Compander |
| Also known as noise reduction system. A system which improves the signal-to-noise ratio by compressing the dynamics on the transmitter side using a compressor, and subsequently restores the normal dynamics on the receiver side using an expander. |
| Frequency response (microphone) |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| In compliance with |
| Gives the guidelines and requirements which have to be met before a unit can be put onto the market. Such guidelines are published by e.g. standards committees, telecommunications authorities etc. |
| Input voltage range |
| Indicates the voltage range of the input signal within which a unit will work properly, i.e. as specified in its technical data. |
| Peak deviation |
| Maximum permissible deviation for FM. |
| Power supply |
| Description of the power source used for powering a unit, for example mains, battery, rechargeable accupack, etc. |
| RF frequency range |
| The range of frequencies to which a unit (e.g. a receiver) can be tuned. |
| RF output power |
| Output power measured at the antenna socket. |
| Switching bandwidth |
| The frequency band in which frequencies can be switched directly. |
| Total harmonic distortion (THD) |
| Total harmonic distortion is a measure of non-linear harmonic distortion and is given in %. Non-linear harmonic distortions are signals which were not present in the original before the signal was converted by the headphones. These unwanted signals are caused by the diaphragm, whose movements do not precisely move in time with the electric signals that cause it to move. Unfortunately, this is a feature of all electroacoustic transducers. Although it cannot be completely eliminated, suitable steps can be taken to minimise it. However, the user is not interested in why this distortion takes place but in how great the level of distortion must be for it to become perceptible. According to the findings of several research projects, a total harmonic distortion of 1% in the frequency range of 100 to 2000 Hz is imperceptible. Below 100 Hz, the perceptibility threshold lies at 10%. |
| XLR connector |
| Most common form of connector in audio studio technology. |
