Music microphone - Instrument Microphone - Sennheiser e 905
$169.95
General Description
The cardioid e 905 has a high maximum SPL and an excellent transient response, suitable for a wide range of instruments and an ideal choice for snare drums.
Features
- Impressive and full sound
- Very fast attack
- Short microphone body to facilitate optimal positioning by drums
- Integral stand mount
- Sturdy reinforced aluminum metal body
Delivery Includes
- e 905 microphone
- Pouch
- User manual
Music microphone - Instrument Microphone - Sennheiser e 905
$169.95
Technical Data
| Dimensions |
4.6 x 1.6 in. (116 x 41 mm) |
| Frequency response |
40 - 18,000 Hz |
| Min. terminating impedance |
1,000 Ω |
| Nominal impedance |
350 Ω |
| Pick-up pattern |
Cardioid |
| Sensitivity in free field, no load (1kHz) |
2.6 mV/Pa |
| Weight |
7.4 oz. (210 g) |
Music microphone - Instrument Microphone - Sennheiser e 905
$169.95
Recommended Accessories
| Part/Accessory |
Article No. |
Music microphone - Instrument Microphone - Sennheiser e 905
$169.95
Variants
$169.95
Glossary
| Frequency response |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. |
| Nominal impedance |
| See impedance. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. |
