dynamic supercardioid microphone, guitar, percussion, bass
General Description
The cardioid e 906 instrument microphone was especially designed for guitar amps and is also excellent for percussion and horns.
Awards
"Tec Award", October 2005 |
Features
- Lively, full sound
- Very fast attack
- Flat shape is ideal for miking amp faces
- Three position switchable sound character: bright, moderate, dark
- Rugged metal body
- Very fast attack
- Flat shape perfect for guitar amps
- Switchable presence filters (3 levels)
- Extra-resistant reinforced metal body
Delivery Includes
- e 906 microphone
- MZQ 100 clamp
- Pouch
- User manual
dynamic supercardioid microphone, guitar, percussion, bass
Technical Data
| Dimensions |
2.2 x 1.3 x 5.3 in. (55 x 34 x 134 mm) |
| Frequency response |
40 - 18,000 Hz |
| Min. terminating impedance |
1000 Ω |
| Nominal impedance |
350 Ω |
| Pick-up pattern |
Super-cardioid |
| Sensitivity in free field, no load (1kHz) |
2.2 mV/Pa |
| Weight |
4.9 oz. (140 g) |
dynamic supercardioid microphone, guitar, percussion, bass
Recommended Accessories
| Part/Accessory |
Article No. |
dynamic supercardioid microphone, guitar, percussion, bass
Variants
Glossary
| Frequency response |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. |
| Nominal impedance |
| See impedance. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. |
