dynamic cardioid instrument microphone, drums, bass guitar, amps, tuba, bass
General Description
The cardioid e 902 is a dynamic instrument microphone especially designed for deep bass frequency instruments such as kick drums, bass guitar amps and tuba. Faithfully reproducing the lowest frequencies and handling the highest SPLs, the e 902 is your bottom end's best friend.
Awards
Tec Award - October 2005 |
Features
- Frequency response optimized for kick drum
- Very fast attack
- Integrated stand mount
- Hum compensating coil
- Shock-mounted capsule
- Robust metal body
Delivery Includes
- e 902 microphone
- Pouch
- User Manual
dynamic cardioid instrument microphone, drums, bass guitar, amps, tuba, bass
Technical Data
| Dimensions |
5.1 x 2.4 in. (128.5 x 60 mm) |
| Frequency response |
20 - 18,000 Hz |
| Min. terminating impedance |
1,000 Ω |
| Nominal impedance |
350 Ω |
| Pick-up pattern |
Cardioid |
| Sensitivity in free field, no load (1kHz) |
0.2 mV/Pa; (@ 60 Hz) 0.6 mV/Pa |
| Weight |
1 lb. (440 g) |
dynamic cardioid instrument microphone, drums, bass guitar, amps, tuba, bass
Recommended Accessories
| Part/Accessory |
Article No. |
dynamic cardioid instrument microphone, drums, bass guitar, amps, tuba, bass
Variants
Glossary
| Frequency response |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. |
| Nominal impedance |
| See impedance. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. |
