Condenser Microphone - Hand Microphonee
$269.95
General Description
The e 865 represents the first condenser microphone in the acclaimed evolution series. A live performance, lead vocal microphone, the e 865 easily cuts through high on-stage levels by virtue of its detailed and natural 40 Hz - 20 kHz reproduction and superb transient response. (Also available with a switch: e 865 S)
Features
- Steel inlet basket
- Superb transient response
- Handles high levels of sound
- Rugged, robust all-metal housing
- 10 years warranty
Delivery Includes
- 1 e 865
- 1 pouch
- 1 microphone clip
Condenser Microphone - Hand Microphonee
$269.95
Technical Data
| Dimensions |
d 1.9 x 7.6 in. (47 x 193 mm) |
| Frequency response (microphone) |
40 - 20,000 Hz |
| Max. sound pressure level (active) |
150 dB |
| Min. terminating impedance |
1,000 Ω |
| Nominal impedance |
200 Ω |
| Phantom powering |
12 - 48 V |
| Pick-up pattern |
Super-cardioid |
| Sensitivity in free field, no load (1kHz) |
3 mV/Pa |
| Weight w/o cable |
11 oz. (311 g) |
Polar diagram
Condenser Microphone - Hand Microphonee
$269.95
Recommended Accessories
| Part/Accessory |
Article No. |
| MZQ 800 |
004711 |
universal stand adapter clip for most Evolution handheld wired microphones
|
Condenser Microphone - Hand Microphonee
$269.95
Variants
| e 865-S |
|
Model #004847 |
$279.95 |
| Variant of e 865 with noiseless on/off switch |
 |
$269.95
Glossary
| Frequency response (microphone) |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| Max. sound pressure level (active) |
| The maximum sound pressure a unit can reproduce before a given THD is reached. |
| Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. |
| Nominal impedance |
| See impedance. |
| Phantom powering |
| Almost all studio microphones are supplied with 48V ±4V phantom power (P48, IEC 268-15). This supply voltage is applied to both modulation lines, while the return current flows via the cable screen. Some microphones can also be powered by batteries or from plug-in mains adapters. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. |
