highly directional microphone, long gun microphone
General Description
The ME 67 is a long gun microphone capsule designed for use with the K6 and K6P powering modules. A highly directional microphone, it can be placed at a distance from the sound source. Matte black, anodized, scratch-resistant finish.
Features
- Highly directional
- Very Low inherent self-noise
- High sensitivity factor
- Wide frequency response
Delivery Includes
highly directional microphone, long gun microphone
Technical Data
| Dimensions |
d 0.9 x 13.5 in. (22.5 x 343 mm) |
| Equivalent noise level |
10 dB |
| Equivalent noise level |
21 dB |
| Min. terminating impedance |
1,000 Ω (K6) |
| Nominal impedance |
200 Ω (K6) |
| Pick-up pattern |
Lobar |
| Sensitivity in free field, no load (1kHz) |
50 mV/Pa +- 2.5 dB |
| Weight |
3.5 oz. (100 g) |
Polar diagram
highly directional microphone, long gun microphone
Recommended Accessories
| Part/Accessory |
Article No. |
| KC 6 |
USKC6 |
Case for all K6 series components
|
| MZC 1 |
USMZC1 |
shotgun ceiling mount accessory for MKH and K6 series shotguns
|
| MZH 70-1 |
003225 |
long hair windscreen for use with MZW70-1
|
| MZS 6 |
003287 |
shock mount stand adapter for K6 series
|
| MZSK 6 |
502844 |
The MZSK 6 is an all-in-one hybrid of Sennheiser's MZS 6 shockmount stand adapter and MZQ 6 video camera mount. The shockmount effectively prevents handling noise, while the shoe mount allows easy and fast attachment to any professional video camera.
|
| MZW 67 |
007264 |
gray foam windscreen for ME67
|
| MZW 70-1 |
003608 |
long hair windscreen for use with MZW70-1
|
| MZW 71 |
003195 |
black foam windscreen for MKH70
|
highly directional microphone, long gun microphone
Variants
Glossary
| Equivalent noise level |
| The output signal of every microphone always includes a low noise signal in addition to the useful signal. In order to illustrate the extent of the noise voltage, it is given as a fictitious sound pressure level. In an ideally noise-free microphone, a sound pressure level of this magnitude would result in an output voltage of the magnitude of the noise. Self-noise is measured and weighted either in accordance with CCIR 468-3 or – in order to assimilate the measured result with the listening impression of the human ear – in accordance with DIN/IEC 651 (so-called A-weighted). Studio condenser microphones generally have an equivalent noise level of between 20 and 30 dB (CCIR) or between 10 and 20 dB(A). |
| Equivalent noise level |
| The output signal of every microphone always includes a low noise signal in addition to the useful signal. In order to illustrate the extent of the noise voltage, it is given as a fictitious sound pressure level. In an ideally noise-free microphone, a sound pressure level of this magnitude would result in an output voltage of the magnitude of the noise. Self-noise is measured and weighted either in accordance with CCIR 468-3 or – in order to assimilate the measured result with the listening impression of the human ear – in accordance with DIN/IEC 651 (so-called A-weighted). Studio condenser microphones generally have an equivalent noise level of between 20 and 30 dB (CCIR) or between 10 and 20 dB(A). |
| Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. |
| Nominal impedance |
| See impedance. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. |
