Stereo Condenser Microphone - Broadcast Vocal Microphone
$699.95
General Description
The MKE 44P is a back-electret pre-polarized condenser microphone with two cardioid microphone capsules set at 90 degrees for XY stereo applications.
Features
- Light and easy to handle
- Great for outdoor applications
- Spung-mounted capsules
- 2 position, low-frequency roll-off filter
Delivery Includes
- MKE 44-P
- Adapter cable with 1 x 5-pin XLR-F to 2 x 3-pin XLR-M connectors
- Velour foam windshield
- Foam-lined case
Stereo Condenser Microphone - Broadcast Vocal Microphone
$699.95
Technical Data
| Current consumption |
2 x 1.5 mA |
| Dimensions |
d 1.7 x 3.5 in. (44 x 90 mm), d 0.9 in. (24 mm) |
| Equivalent noise level |
25 dB |
| Equivalent noise level |
35 dB |
| Min. terminating impedance |
1,000 Ω |
| Nominal impedance |
250 Ω |
| Operating time |
1,000 h. |
| Pick-up pattern |
2 x cardioid |
| Power supply |
12-48 V Phantom/1xAA |
| Sensitivity in free field, no load (1kHz) |
6.3 mV/Pa +- 2.5 dB |
| Weight w/o cable |
4.4 oz. (125 g) |
Stereo Condenser Microphone - Broadcast Vocal Microphone
$699.95
Recommended Accessories
| Part/Accessory |
Article No. |
| AC 418 |
069294 |
5 pin XLRf to dual 3 pin XLRm cable for MKH 418s and MKE 44-P stereo mics
|
| ACS 5 |
USACS5 |
5 pin XLR to dual 3 pin XLR adapter, 6 in. length for MKH418s and MKE44-P
|
| MZW 2-G |
047186 |
windscreen for MKE2 and MKE platinum (beige)
|
| MZW 44 |
USMZW44 |
foam windscreen for MKE44
|
Stereo Condenser Microphone - Broadcast Vocal Microphone
$699.95
Variants
$699.95
Glossary
| Equivalent noise level |
| The output signal of every microphone always includes a low noise signal in addition to the useful signal. In order to illustrate the extent of the noise voltage, it is given as a fictitious sound pressure level. In an ideally noise-free microphone, a sound pressure level of this magnitude would result in an output voltage of the magnitude of the noise. Self-noise is measured and weighted either in accordance with CCIR 468-3 or – in order to assimilate the measured result with the listening impression of the human ear – in accordance with DIN/IEC 651 (so-called A-weighted). Studio condenser microphones generally have an equivalent noise level of between 20 and 30 dB (CCIR) or between 10 and 20 dB(A). |
| Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. |
| Nominal impedance |
| See impedance. |
| Operating time |
| States how long a unit can be continuously used with one set of batteries / rechargeable accupack. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Power supply |
| Description of the power source used for powering a unit, for example mains, battery, rechargeable accupack, etc. |
| Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. |
