Key Features
- Integral stand mount
- Fast transient response
- Low frequency extension
- Rugged, lightweight aluminium body
dynamic cardioid microphone, low frequency instruments
MSRP:$240.00
dynamic cardioid microphone, low frequency instruments
MSRP:$240.00
General Description
The e 602 II is a cardioid instrument microphone especially suitable for use with bass drums, bass guitar cabs, tubas and other low frequency instruments.
Features
- Rugged, lightweight aluminium body for stable positioning on long microphone boom arms
- Lightweight high-performance voice coil construction
- Fast transient response
- Low frequency extension
- Ideal for direct use on the most problematic bass signal
- Frequency-independent directivity provides isolation from other on-stage signals
- Humbucking coil
- Integral stand mount
Delivery Includes
- 1 e 602-II
- 1 pouch
- Instructions for use
dynamic cardioid microphone, low frequency instruments
MSRP:$240.00
Technical Data
| Dimensions |
d 60 x 153 mm (2.7 x 6 in) |
| Frequency response |
20 - 16,000 Hz |
| Min. terminating impedance |
1,000 Ω |
| Nominal impedance |
350 Ω |
| Pick-up pattern |
Cardioid |
| Sensitivity in free field, no load (1kHz) |
0.25 mV/Pa; @ 50 Hz 0.9 mV/Pa |
| Weight |
11.3 oz. (320 g) |
Polar diagram
dynamic cardioid microphone, low frequency instruments
MSRP:$240.00
Recommended Accessories
| Part/Accessory |
Article No. |
dynamic cardioid microphone, low frequency instruments
MSRP:$240.00
Variants
dynamic cardioid microphone, low frequency instruments
MSRP:$240.00
dynamic cardioid microphone, low frequency instruments
MSRP:$240.00
Glossary
| Frequency response |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. |
| Nominal impedance |
| See impedance. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. |
