Personal Audio
PX 200-IIi - Sennheiser USA
Article No. 504163
Key Features
- Unique fold and flip design
- Superb Sennheiser stereo sound
- In-line remote with mic for iOS products
- Rugged and robust - steel-reinforced headband
Mobile Phone Stereo Headset - iPhone Headset, iPod Headset -
$109.95
Related product
$109.95
General Description
Designed exclusively for use with Apple's iPhone, iPod and iPad products! The PX 200-IIi immerses you in great Sennheiser sound. The closed speakers provide excellent isolation from outside noises, so you can enjoy a superb listening experience without being disturbed – or disturbing others. Strong neodymium magnets ensure low sound distortion to deliver powerful Sennheiser stereo and boost the quality of all your MP3s.
Another big highlight is the smart in-line remote control with microphone that works perfectly with the latest generations of iPod, iPhone, or the iPad.*. You can control the volume, answer and end calls, use the iPhone Voice Control function and browse and play your music all from a sleek unit located directly on the cord.
The PX 200-IIi is very lightweight, and thanks to the soft leatherette ear pads, comfortable to wear for hours on end. When it’s time to stow the headset, the
PX 200-IIi’s award-winning fold and flip design features a unique mechanism that lets you easily fold it up and store it in the supplied pouch. The steel-reinforced headband ensures lasting strength and durability.
Features
- Microphone with remote to answer and end calls, adjust the volume, control music and record memos on the iPhone
- Closed, sealed earcup blocks ambient noise without sacrificing portability
- Rugged and durable construction with steel-reinforced headband
- Fold-and-flip design fits into shirt pockets and small bags
- Strong Neodymium magnets for extremely low distortion; balanced and detailed sound image for all types of music
- Great for travel and outdoor use with the latest generation of iPhones, iPads, iPods and MacBooks
- 2-year warranty
Delivery Includes
- PX 200-IIi headset
- Storage pouch with cord winder
- User guide
$109.95
Technical Data
| Wearing style | On-ear |
| Cable length | 1.2 m |
| Connector | 3.5 mm plug, straight |
| Weight | 3.2 oz (95 g) |
| Frequency response (headphones) | 10 - 21,000 Hz |
| Impedance | 32Ω |
| Sound pressure level (SPL) | 115 dB (at 1 mW, 1 kHz) |
| Frequency response (microphone) | 80 - 15,000 Hz |
| Pick-up pattern | Omni directional |
| Sensitivity as per 121 TR 9-5 | -40 dBV/Pa |
| UPC code | 615104186309 |
| EAN code | 4044155055016 |
| Dimensions (single) | 3.9 x 2 x 7.9 in |
| Weight (single) | 6.8 oz |
| Dimensions (master carton) | 18.6 x 14.7 x 9.9 in |
| Weight (master carton) | 15.9 lbs |
| Master carton quantity | 24 |
Glossary
| Cable length |
| The cable length is usually measured between the anti-kink sleeves of the cable (cable length without connectors). |
| Connector |
| A standardised single or multi-pole plug for connecting units or accessories. |
| Frequency response (headphones) |
| The frequency response of a pair of headphones is given within limits defined by the manufacturer. |
| Frequency response (microphone) |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| Impedance |
| Impedance expresses the AC resistance of a microphone or a set of headphones. It is dependent on frequency and is given at 1 kHz as the so-called nominal impedance. Impedance is measured in ohms. In recent years, an industrial standard has developed, setting the impedance of headphones at 50 or 600 ohms. Sennheiser headphones are manufactured according to this standard, thus practically ruling out connection problems. With microphones, the input impedance of the following microphone amplifier should have at least three times the value of the nominal impedance, in order to prevent it from unnecessarily attenuating the microphone signal. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Sensitivity as per 121 TR 9-5 |
| Sensitivity as specified in the regulations issued by the Luftfahrtbundesamt (German aviation authorities). |
| Sound pressure level (SPL) |
| Due to the impractical numerical values, the sound pressure is usually given as the logarithmic value of the sound pressure level according to the equation: dB SPL = 20 x log (po / 0.00002 Pa). The abbreviation SPL (sound pressure level) is added in order to make a clear distinction from other uses of dB. The reference sound pressure, which is at the same time the threshold of hearing, is then 0 dB SPL. The threshold of pain is 140 dB SPL. A difference in the sound pressure level of 1 dB is just about perceptible, while a doubling of the sound pressure corresponds to 6 dB and a doubling of the volume corresponds to a rise of 10 dB. |
