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Kent Margraves is National Applications Manager, Installed Sound at Sennheiser Electronic
Corporation, where he provides audio training and product application/system design support to the worship community.
Kent also has extensive, full-time experience as a professional worship audio director.
Michael Hill is a Sennheiser sales representative and has been mixing audio for touring
and church installations for over 25 years. He has led worship since the age of 17 and is currently serving as Worship
Pastor at Trinity Fellowship Church in Rockwall, TX. His seminars focus on eliminating the gap between "stage performers"
and techs to make a more productive "praise team."
H.O.W. Tips & Tricks - Lose the Feedback
Lose the Feedback
By Kent Margraves, Sennheiser
Improving Gain-Before-Feedback in Worship
*This discussion focuses on the processing and optimization of miked sources on the worship stage, using the
equalization available in the PA console channels strips or outboard equalization inserted into these channels.
It does not discuss overall system processing or "tuning" and assumes appropriate system installation and
optimization.*
Have you ever experienced a case of microphones squealing feedback before they are loud enough in your PA mix?
Even with great mics and a wise layout, sometimes you could still use more GBF (gain-before-feedback). We'll
take choir miking as our example for discussion. We usually mic choirs with several cardioid condenser
microphones, right?
The feedback that occurs here is caused by the microphone(s) hearing itself being amplified in the PA system.
The microphone picks up the source in front of it (good) and also picks up itself coming out of the PA (bad).
So, since we wish to have the mics "hear" less of themselves from the loudspeakers, several ideas seem fairly
straightforward for increasing GBF:
- Turn it down
- Use fewer microphones
- Use directional mics aimed at the choir (and away from the loudspeakers)
- Move the mics closer to the choir (and further from the loudspeakers)
- Use directional loudspeakers, placed and aimed away from the mics
- Use parametric equalization
For more detailed information, click here
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Artist-Production Communication
Kent Margraves, Sennheiser
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Setting up a Worship Band Monitor Mix
Michael Hill, Sennheiser
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Getting the Best Sound in a Worship Environment
Wes Hartley, Lake Pointe Church
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10 Tips for Improving the Worship Mix Prior to Sunday
Kent Margraves, Sennheiser
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Technical Shortcuts for Supreme Audio Performance
Technical Shortcuts for Supreme Audio Performance
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Focus Mode for In-Ear Monitors
Kent Margraves, Sennheiser
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Setting up a Praise Team Vocal Floor Monitor Mix
Michael Hill, Sennheiser
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Get Out of the Booth!
Kent Margraves, Sennheiser
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Choir Miking in Worship - Standard Approach
Kent Margraves, Sennheiser
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Bridging the Communication Gap
Michael Hill, Sennheiser
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Tips for Dynamic Drumming
Jeremy Wolfe, The Jason Lovins Band
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Seven tips on setting up your portable church
Ryan Werner, SonRise Community Church
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A Musician's Perspective on the Benefits of Stereo Wireless Monitor Mixes
Andrew Catron, Lee Park Baptist Church
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Transitioning from Wedges to "Ears"
Kent Margraves, Sennheiser
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Introduction to Personal Wireless Monitor Mixing
Kent Margraves, Sennheiser
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Great Sound in Both Ears: How to Achieve the Perfect Mix for Wireless Monitors
Kent Margraves, Sennheiser
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More Information