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Houses of Worship - Audio Sound Systems, voice, microphone
Houses of Worship - Audio Sound Systems, voice, microphone
Technical Shortcuts for Supreme Audio Performance
Featuring input by Damon Faulk, student media technical director for Lake Pointe Church, Rockwall, TX
Choosing microphone systems for worship facilities may be a daunting task to some. Plus, the tweaking and patience it takes to achieve the highest level of audio performance once the systems are selected and installed can appear even more harrowing. Damon Faulk, student media technical director for Lake Pointe Church in Rockwall, TX, shares a few technical tips and tricks he depends on weekly to keep audio performance in brilliant shape.
Research products before you buy
Lake Pointe’s sound engineers heavily considered the ease-of-use level of several wireless microphone systems before choosing Sennheiser. This was especially important to the Lake Pointe staff as the church boasts a dedicated force of volunteers, many of whom have little or no experience handling microphone systems.
"When churches are looking at purchasing a higher quality of wireless system, most have to take into consideration an antenna distribution box in addition to the channels of wireless," Faulk says. "Sennheiser’s 3000 Series does not need additional distribution, which allows for simple connection from one to the next for easy set-up and use."
After set-up, adjust levels accordingly
Even if microphones are perfectly matched with a particular performer or specifically chosen for a certain environment, adjustments may need to be made in order to coax out supreme sound. "When using the 165 head/transmitter, if we know that we have soft-spoken person, we will gain the transmitter up to zero on the output," Faulk explains. "If we have a 'screamer' on the mic, and we know ahead of time, we gain the mic back down to -20 or -30."
Get acquainted with the equipment
Learning and teaching technical shortcuts can also make a huge difference for both amateurs and seasoned audio professionals, especially when last-minute issues arise.
For example, if a need arises to broadcast the same audio program over a scattered area for distribution using multiple powered speakers, Faulk suggests following his solution: "We take the IEM transmitter and feed it our program audio and send it out over a helical antenna. We cluster two or three powered speakers together and daisy chain the output of a single EW receiver (with the pilot tone disabled) to allow for the same program to be heard over a large area."
Other Tips & Tricks Topics:
Artist-Production Communication
Setting up a Worship Band Monitor Mix
Getting the Best Sound in a Worship Environment
10 Tips for Improving the Worship Mix Prior to Sunday
Lose the Feedback
Focus Mode for In-Ear Monitors
Setting up a Praise Team Vocal Floor Monitor Mix
Get Out of the Booth!
Choir Miking in Worship - Standard Approach
Bridging the Communication Gap
Tips for Dynamic Drumming
Seven tips on setting up your portable church
A Musician's Perspective on the Benefits of Stereo Wireless Monitor Mixes
Transitioning from Wedges to "Ears"
Introduction to Personal Wireless Monitor Mixing
Great Sound in Both Ears: How to Achieve the Perfect Mix for Wireless Monitors
Audio Gain Structure for Wireless Microphones
How to Mic and Mix Drums in a Live Setting
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