Broadcast Dynamic Vocal Microphone
$199.95
General Description
The MD 42 is a high-quality reporter�s microphone with omni-directional pick-up pattern. It has been specially optimized for rough use in live reporting and broadcasting environments. The MD 42 is a very �good-natured� microphone that avoids wind and handling noise problems. Color: black; sound inlet basket: refined steel, black.
Features
- ply sound inlet basket provides increased protection from wind and pop noise
- metal housing
- mount capsule ensures low sensitivity to handling noise
- directional pick-up pattern ensures excellent speech intelligibility without having to point the microphone directly at your interview partner
Delivery Includes
Broadcast Dynamic Vocal Microphone
$199.95
Technical Data
| Dimensions |
1.9 x 9.8 in. (49 x 250 mm) |
| Frequency response |
40 ... 18,000 Hz |
| Min. terminating impedance |
1,000 Ω |
| Nominal impedance |
350 Ω |
| Pick-up pattern |
Omni-directional |
| Sensitivity in free field, no load (1kHz) |
2.0 mV/Pa |
| Weight |
12.7 oz. (360 g) |
Broadcast Dynamic Vocal Microphone
$199.95
Recommended Accessories
| Part/Accessory |
Article No. |
Broadcast Dynamic Vocal Microphone
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Variants
$199.95
Glossary
| Frequency response |
| The frequency response of a microphone is given within the limits defined by the manufacturer. In studio condenser microphones it is generally within the range of between 20 Hz and 20 kHz. |
| Min. terminating impedance |
| Impedance at which the connected unit meets the specified technical data. If the unit is connected to a lower impedance, it will usually have a lower output voltage or a greater distortion. |
| Nominal impedance |
| See impedance. |
| Pick-up pattern |
| Also known as polar pattern, directivity. According to their acoustic design, microphones differ in their sensitivity towards sound from different directions. Pressure microphones have a sensitivity that is largely independent of direction (omni-directional pick-up pattern). Pressure gradient microphones have the pick-up patterns wide cardioid, cardioid, super-cardioid or figure-of-eight. Interference microphones can be used to achieve a further concentration of the pick-up pattern (lobar pick-up pattern). As a special case, dummy head microphones achieve the pick-up pattern of the human ear/head (dummy head stereo). |
| Sensitivity in free field, no load (1kHz) |
| Voltage measured at the unloaded output of a microphone which is exposed to a sound pressure of 1 Pa and a frequency of 1 kHz in an anechoic chamber. |
